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lyrics
Dawn of red days, pageantry of oblation.
Tumultuous hordes in pious exaltation.
Dissonant horns call to claim flesh,
slaked fields wetted, drinking deep of russet tone
Joined conflict of wounds, no lust for final blows.
Pleading of the felled pressed into bondage.
Sun sets on contest divine, armies withdraw home.
Trophy’d legions drive the broken over drought-struck soil.
In starving cities the desperate gather
to seek familial blood and despair at absence.
Streets thronged with wretched, malnourished shadows reaching out
to clutch at the procession of the hobbled on their long march.
The people, thin of flesh, sunken-eyed and desiccated.
The stoic fanatical mass of faithful dying, empty of substance,
followed the bound and those few able
shed pleading tears to gods for mercy.
When would they hear, when would they see,
when would they love those who believed.
The crowd halted below the grand proffering,
atop the apex of caked and stained steps.
The priests awaited above, arms outstretched to the skies
in wild-eyed trance and song at the chancel basin and altar.
Begging, pleading, the procession cries out as a monolith of hands begin to guide
upwards where censers burn acrid incense in finality.
The first upon stone, made supplicant in expiratory sublimation.
As the ascetic utter implorations to gods long bereft of provision.
The liturgy commenced, the knife taken, the work is quick and brutal.
The crowd erupts in jubilant praise as blood spills into the basin.
The second brought forth, then the third, dawn to dusk, for days and days.
The procession wrought unto the gods in canals filled red and torn flesh displayed.
A month's time, no rain has fallen
so the legion moves again to war.
If the gods, still unmoved, grant no favor
then the gods must still demand more.
supported by 4 fans who also own “Whom Gods Abandon (Cassette Version)”
The second half of the closing piece, Howling' resonates the experience of a mountain hike during a sunny autumn day, the shrieking sounds reverberating against limestone pillars that is what i imagine. Marty
supported by 4 fans who also own “Whom Gods Abandon (Cassette Version)”
Great album, fantastic songs and production. Question, the spoken word at the end of Moth Eaten Soul, is it in swedish and is it a sample? Jonas Danielsson
More bleak, enveloping atmospheric black metal from the masters at the Vendetta label, “aevum” is both harrowing & strangely beautiful. Bandcamp New & Notable Sep 30, 2019
The harrowing black metal from this Olympia, WA artist demolishes like a typhoon—a whirling, threatening cloud of sound. Bandcamp New & Notable Feb 6, 2023
supported by 4 fans who also own “Whom Gods Abandon (Cassette Version)”
Dans The Density Parameter, Mesarthim reprend tous les ingrédients qui font leur marque de fabrique : des pistes assez longues au rythme énergique (très palpable sur "Recombination" par exemple) et jouant sur des structures cycliques, un chant qui erre parmi les étoiles... Les ambiances sont prolifiques mais elles changent la donne : gracieuses, certes, mais surtout plus mélancoliques qu'autrefois. The Density Parameter est un peu la dernière bouffée d'oxygène que donne la combinaison spatiale. Jordan Vauvert